Harrisburg, Pennsylvania's online News, Opinion, Arts and Entertainment information archive, serving the PA Capital Region.

The All-NEW MODE
Multiple
Rating System

............Masterpiece
................Marvelous
....................Memorable
........................Mediocre
............................Miserable

Groovy Movie
Selector

February 3rd, 2000

by Max Power


PLAY IT TO THE BONE -
Wow, if I didn’t get to see this at a free screening, I would demand my money back. Ron (Bull Durham, White Men Can’t Jump, Tin Cup) Shelton, a pro at sports Dramedies has gotten so punch drunk that he didn’t realize that he made a really awful film. The movie centers around two boxers: Woody Harrelson and Antonio Banderas. They have a certain amount of time to make it to Las Vegas in order to be in a match and make a lot of money. The mixture of road picture, buddy comedy and boxing should have worked, but the jokes become stale and the film deteriorates into a mess. The one shining one in the bunch is Lucy Liu ("Ally McBeal").

DOWN TO YOU -
Critics usually lambaste romantic teen films like this one, and I’m not going to be any different. Despite what I may say about this movie, the intended audience is still going to go see this rehash of every recent teen love story. It stars teen-movie staple Freddie Prinze, Jr., Julia (10 Things I Hate About You — which was actually fairly good) Stiles, Shawn (Varsity Blues, In & Out) Hatosy and Selma (Cruel Intentions) Blair. Prinze likes Stiles and they have to overcome the hardships of life to be with each other. Nietzsche meets Norman Mailer.

ANGELA’S ASHES -
No, it’s not about my friend and her addiction to cigarettes. This cinematic adaptation of Frank McCourt’s memoir about growing up poor in Ireland captures an amazing visual portrait of life in the slums. Although veering towards melodrama at times, it keeps a fairly steady course as it follows young Frank and his family as they struggle to stay healthy and fed both in Ireland and in New York City for a brief spell. McCourt endorsed the movie as a faithful adaptation of his book. Gifted director Alan Parker has had another successful adaptation of an Irish novel in The Commitments. Some of his other films include: Fame, Evita, Birdy, Midnight Express, Pink Floyd: The Wall and Mississippi Burning. Not a party movie, but certainly well made and not difficult to sit through.

EYE OF THE BEHOLDER -
With a wildly diverse cast, including Ashley Judd, Ewan McGregor, Geneviève Bujold, Jason Priestly and k.d. lang, and a decent plot line of a British intelligence agent (McGregor) who is following a serial killer/blackmailer/naughty girl, (Judd), becomes obsessed with his her, this should have been a much better film then it turned out to be. While it shows great promise in the beginning and it features a strong cast, it descends too quickly into hokum that has been played out many times before to better effect. Still, the actors are worth watching, even in sub par works like this.

ISN'T SHE GREAT -
Funnyman writer, (The In-Laws, Soapdish, Fletch), and director (The Freshman, Honeymoon in Vegas), Andrew Bergman is back with a light and witty fictional take on the life of famous writer Jacqueline Susann, (Valley of the Dolls), played by Bette Midler and her husband Irving Mansfield (Nathan Lane). The film follows her failed attempts at being talented. Written by Paul Rudnick (In & Out, First Wives Club, Addams Family Values), and also starring David Hyde Pierce, Stockard Channing, John Cleese, Sarah Jessica Parker and John Larroquette, the film isn’t able to reach the highest comic levels that it should, but it comes close many times. After watching this, rediscover the subtle brilliance of Bergman’s The Freshman with Marlon Brando and Matthew Broderick.

BIG TEASE -
Craig Ferguson, (Mr. Wick on The Drew Carey Show, who co wrote and co produced this film), plays a Scottish, (which he is), hairdresser that goes out to L.A. thinking he is going to be in a hairdressing competition (which he isn’t), and then starts a campaign (while being followed by a film crew) to be able to join the competition and show everyone what he’s made of. For a hairdressing movie, they sure didn’t know when to cut. It might have worked better as a short, but stretched out to feature movie length, it just doesn’t work and the humor falls flat like so much humidified hair.



©1990-2003 Copyright ScotGiambalvo.com. “MODE Weekly™”, and “MODEweekly.com™”  are trademarks of Scot Giambalvo.
All rights reserved. Copying content from this site without permission is illegal. Linking to this site as if it was your own is just plain rude.
Click here for usage/link permission.