Local Exposure
CD Reviews of Area Musicians
by Ed Yashinsky
Jim Rhoads
Action
[List Records]
On the surface, Action might
quickly be dismissed as the work of a maniacal thirty-something perpetually trapped in his
distortion-ridden youth. However, Jim Rhoads DIY project, which Jim proudly boasts
was recorded in one room while his family watched TV in another, provides a textbook
example of someone working on his own terms. Both lyrically and musically, parts of Action
sound like they were lifted straight from Judas Priest or Rainbow, but underneath, bands
like Husker Du and X, King Crimson and a host of other progressive rock bands shine
through. Action is not for everyone, but for anyone who has dreamed of making a
their own record (and there are many out there), there is a lot of inspiration and insight
to be garnered here. No one can accuse Rhoads of pandering to trends or prevailing winds,
and that is very refreshing. The good news is that Rhoads has formed a band and will bring
the project to area clubs. Hopefully it will prove as interesting as Action.
Nectar
Hotcakes
[Fatback Records]
It might take a few songs, but suddenly
it hits you between the eyes that Nectar vocalist Caroline Rothwells voice is a dead
ringer for Edie Brickell. That being said, Nectar is hardly another New Bohemians and
Rothwell packs more punch than Mrs. Paul Simon has delivered in years. Hotcakes,
Nectars five-song debut EP, combines classic blues-rock influences with the charged
edge currently incinerating the airways. Guitarist Mike Kennells Cream-style riffing
carries through the Hotcakes first two cutsWind of Change
and Unspokenand Rothwells Janice Joplin influence becomes more
apparent with each listen. Add to this mix the rock-solid rhythm section of drummer Hardy
Hill and bassist Dave Henry, and its quite apparent that Nectar is mining the right
musical vein.
NotchoMa
Skamish
[Notcho Records]
In ska circles, NotchoMa must be seen as
some sort of enigma. On their debut CD, Skamish, this Harrisburg septet delivers
the blasting horns and rock-steady drum and bass that have been the cornerstone of ska for
more than 30 years. However, ska purists may argue that NotchoMa melds too many musical
influences (calypso, world beat and even some r&b) to carry the ska banner. That being
said, Skamish, is nothing more than twelve tracks of party music that should be
seen as a welcome addition to the big tent that encompasses ska. Produced by David
Ackerman with guest appearances by members of The Toasters and The Allstonians, Skamish
glides effortlessly on the nimble fingers of guitarist Jon Hand, the smooth vocal delivery
of Deb Graffius, and the precision drumming of Keith Barnes. Rude Boy,
Dangdut and Walk on the Water are just a few of the standout
tracks here, but truth be told, Skamish is a fun ride from start to finish.
Project Lo
Black Canvas
[LoLo Records]
Although the cover may hint at
the twisted dark side of Windham Hill, Black Canvas, a release by acoustic guitar
virtuoso Bon Lozaga, holds much deeper roots in the avante-jazz worlds of Allan Holdsworth
and John McLaughlin, and the progressive guitar textures of Robert Fripp. Black Canvas
begins and ends with lonely, acoustic pieces while in-between a journey expands that knows
no boundaries. Backed by an incredible band including the indescribable vocalist Happy
Rhodes, electric violinist Caryn Lin, Brand-X bassist Percy Jones, hyper-kinetic
saxophonist Chris Farr and keyboardist J. Hatch, Black Canvas unleashes a haunting
version of Peter Gabriels Mercy Street, an enticing India-drenched
Rajah, a King Crimsonesque Tolerance, Acceptance, Transformation
and plenty of variety around every turn. However, Black Canvas true beauty
derives from its lack of individuality. Lozaga has assembled top-notch bands who can all
play circles around each other. But here the subdued instrumentation reveals a complex
landscape that continues to reveal new twists with every listen.
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