|
|
| Cool Stuff About Business and Entertainment in the Greater Harrisburg, PA Area. |
| B-Movies and Couch Classics Career Girls & Dr. Strangelove by Dan Dumbald CAREER GIRLS Career Girls stars Lynda Steadman and Katrin Cartlidge as Annie and Hannah, former college roommates who reunite six years after their graduation from school. The two women are complete opposites; Hannah is tall and confident while Annie is short and shy. Over the span of one magical weekend Annie and Hannah revisit many old and familiar faces and places. Although they have not seen each other in several years they quickly realize that their bond is as strong as ever. The chance meetings with old acquaintances trigger many flashbacks as they harken back to their college days of chasing men and discussing Emily Bronte over a pint or two. As with real life, not all of the memories are halcyon and some are rather painful. The two friends confront each recollection with honesty, examining each situation as it happened, not how they wished it had happened. By the end of the film Annie and Hannah come to understand just how important each others friendship has been in their lives. Career Girls is director Mike Leighs follow-up to 1996s Academy Award nominated Secrets & Lies. Again Leigh gets award-caliber performances out of this cast. Katrin Cartlidge, who last year was passed over by the Academy for her supporting role in Breaking the Waves, plays Hannah with a certain bravado seldom seen in female roles. Conversely, Lynda Steadman as Annie is a perfectly realized introvert. Leigh is famous for not writing screenplays. He goes over broad ideas that he wants to get across and asks his cast to work out these ideas through improvisations. This technique certainly would not work for everyone, but it suits Leigh extraordinarily well. Career Girls, like the rest of his work, rings true from beginning to end. Like Secrets & Lies did for family bonds, Career Girls shows how true friendship can transcend any obstacle in life. The friendship of these dissimilar women has made them both better people. Through the flashbacks we see how the characters of Annie and Hannah have grown from awkward schoolgirls to successful women, a transformation rarely seen on screen.
DR. STRANGELOVEOR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB 1964-COLUMBIA PICTURES In 1964, just a few years after the Bay of Pigs, Stanley Kubrick made one of the biggest political statements in modern film history. The maverick director made Dr. Strangelove, a political satire of the nuclear age during the cold war and the most overtly anti-war film of the era. Despite its controversial topic it went on to earn several Academy Award nominations including Best Picture, Best Director and Best Actor (Peter Sellers). Dr. Strangelove is the story of how a simple series of comedic errors could lead to the annihilation of mankind. General Jack D. Ripper, played by Sterling Hayden, orders a flight of B-52s to bomb Russia. Ripper has gone mad and is convinced that the Russians are engaging in a devious plot to tamper with American water supplies. As the news of this gets back to the United States, the President (Peter Sellers) calls an emergency meeting in the Pentagon. Upon discussing the matter with his advisors General Buck Turgidson, played by George C. Scott, and Dr. Strangelove (played, again, by Sellers himself), the president finds out that if Russia is bombed they have a doomsday device that will blow up the world. Despite frantic and hilarious attempts to reason with both sides the President is unable to dissuade anyone from standing down from these looming confrontations. The only really sane character throughout all this chaos is a British military officer (Peter Sellers, in role number three) who is an unheard voice of reason while being forced to endure General Rippers paranoid ramblings. Stanley Kubrick is one of the greatest living filmmakers of all time and Dr. Strangelove is perhaps his crowning achievement. His pointed social commentary hit home just as it did in Full Metal Jacket, A Clockwork Orange, and 2001: A Space Odyssey. The difference between Dr. Strangelove and the other films is that it has a message and is wildly entertaining while conveying this message. While world events of the 1990s have stripped the film of some of its satirical sting, Dr. Strangelove is a classic that shows how great films often happen when filmmakers take great chances. (The Allen Theatre and Coffeehouse is having a screening of Dr. Strangelove in conjunction with the Lebanon Valley Film Series on February 22nd, for more info call 867-4766.) |
|
©1990-2003
Copyright
ScotGiambalvo.com. “MODE Weekly™”, and “MODEweekly.com™”
are trademarks of Scot Giambalvo. |